Toolbox - Part 2

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I may have been wrong yesterday.

But first, a little tangential information about my blogging process: sometimes when I wake up in the middle of the night and can't get back to sleep, the churning images of my semi-conscious brain get channeled through fingers on a keyboard into semi-coherent thoughts, dancing characters on a glowing screen—the only light in a dark room—not quite penetrating sleepy eyelids. Still, sometimes the ideas seem to flow more smoothly before the sun rises, before distractions creep forth from the shadows and emerge into daylight.

Although this process generally works for me, it can be a little bit like living in a dream world, where everything seems to make perfect sense...until we wake up. There are times when I stop in my tracks an hour or two after I've posted something, my brain now brimming with new or expanded thoughts, born of more sober or prolonged reflection... and wondering if my initial ideas had quite finished "cooking" before I sent them out into the world. I mean, I do think a blog is meant to be more like a stream of consciousness than a master's thesis, but still... :)

Yesterday at 5:30 in the morning, my brain was singularly focused on the tools we choose and what they say about us. I ended the post with a thought that the most important thing might be how OFTEN we use those tools... but later in the day, my thoughts stumbled back to a more obvious and telling measure of individuality and creativity: HOW do we use the tools we have at hand, and to what end?

After all, there are those who, for whatever reason, have access to all of the finest tools... and some who, for whatever reason, have access to few or none of those tools. There are some who guard their tools jealously and others who share them freely...and those who borrow from others blithely without a thought of return.

Even the opportunity to choose the tools we have in our toolbox is not universal. My own luck and abundance of choice may have temporarily blinded me yesterday morning to the realization that not everyone has access to abundance; and that interpreting something about a person by the tools in their toolbox might be limiting.

Tangling with this realization from another angle: even if everyone had identical tools and opportunities laid out before them, the results would still be different: one might build a wild and masterful invention; another would construct something familiar, safe and useful; and yet another could spend the whole time straightening out bent nails. One might revere the contents of the toolbox so highly that they doubt their own ability to use each thing properly...even to the extent that they might lock the box up and hide it away; another might select a tool carefully, use it respectfully, clean it and put it back in its place until the next time; while yet another might hammer away with reckless brilliance—or not—before carelessly losing, breaking or dropping the tool to the ground... and some unfortunate and unhappy one might grab that same tool to break, to destroy, to obliterate.

Why do we sometimes restrict our efforts to harmless—or worse, harmful—purposes? Why is it that we can sometimes do amazing things with limited tools, while sometimes we only produce limited output with the amazing tools already at our fingertips?

Today, I say that true value lies not in the tools themselves or how often we make use of them... but in HOW we use them, in what we choose to build: in determination and imagination, followed by action, leading to positive results. 

So what's in your toolbox... and what are you building?

What's in Your Toolbox?

Have you ever noticed how the contents of a toolbox speak volumes about their owner? Each item has been gathered with a need in mind, to fulfill a particular purpose or satisfy a specific desire; each object contributes to a snapshot of the abilities, activities and interests of the person who chose it. 

Almost any activity that engages us requires tools of some sort, whether tangible or metaphorical. The variety of techniques we explore or master, the type of projects we tackle, for business or pleasure, all help determine the number and nature of the tools we select.

Some collect the latest gadgets of the moment, shiny and new. Some preserve basic hardworking tools, simple and worn, handed down through the generations. Some invent new tools to serve new purposes or previously unimagined needs.

Our tools can be organized or scattered, of good quality (built to last) or poor quality (a compromise to meet a short term need), multi-purpose or extremely specialized.

The most important factor to keep in mind: are the tools in our toolboxes being put to use on a regular basis... or ignored and abandoned, gathering dust?

Progress Report

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This weekend, I dedicated an entire day to getting caught up on various charitable and challenge projects for the two guilds I belong to. I can't show you the challenge project for West Island Quilters yet because it needs to remain anonymous until the beginning of May.

However, I did get one lap quilt completed for O-HO guild (Ormstown-Howick) which I will deliver today at our meeting... and three others are sandwiched and ready for quilting, along with the "Cot-to-Coffin" soldier's quilt challenge, and one more block for our monthly journal quilt challenge. Never quite enough time to do it all, but one step further along the way!

TGIF

It's been a long week... but I can think of lots of reasons to say TGIF:

So a simple "thank goodness" is in order... specifically, for the goodness personified in my dust bunny of a husband. He smooths out lots of things in my life: my path, my ruffled feathers... and most recently—as shown in the picture at the top of this post—he is smoothing out my kitchen walls and ceiling (currently under renovation.)

With Rob in the picture, every day rates a TGIF. Thanks, honey, for just being you! :)

Keeping it Down to a Dull Roar...

Social media is a mighty stream; messages rush by and rise up around us like mist. For those of us who grew up on dry land, it seems as though the surge could pull us under without a trace. There are some who thrill to the challenge of the extreme and dive right off the cliff into the waterfall; some who were born in the water and navigate with ease; some who choose to stand by and watch... and others who prefer to get their feet wet by wading in a quieter pool and practicing their stroke until confident that they can keep their head above water.

Sometimes I wake up in the middle of the night trying to process all the information that has been swirling around me from social media channels all day long. Blogging from my own quiet web page and sharing it on Twitter, Facebook, Google+ or LinkedIn is part of my daily training, of preparing for an eventual swim across the channel; stroke by stroke, day by day. There are days when it's tough to get motivated, days when the flow is pleasant and comfortable, days when my feet drag on the bottom, and days when meeting the challenge both exhausts and exhilarates.

Why do it at all? Because the information age is upon us, the inundation of constant communication flows over us incessantly, threatening to drown us out...and familiarity with the environment may help improve our capacity to fish for the quicksilver salmon, to pan the gold from the mud, and to retain the ability to hear our own thoughts over the dull roar. 

AWOL 2

Will be stitching instead of blogging again today; deadline to hand in my quilt blocks is tomorrow night and still have one to finish...

Fuzzy Logic and Wishful Thinking

Fuzzy logic is a concept that allows theories and calculations to venture beyond the black and white of true or false into a spectrum of perception that may include possibility, probability and uncertainty. It is a concept that allows open-ended or variable responses to systems designed for artificial intelligence because it can offer multi-layered options depending on circumstances. A picture produced based on fuzzy logic is not always sharp or clear cut and may generate as many questions as answers.

Wishful thinking, on the other hand, takes a brush and paints over both true and false, unconsciously but willfully blurring the lines of reality to force them into a preconceived pattern of desire, a subjective response to an objective situation. There is a rose-coloured vision of possibility, a magnified sense of probability and a diminished allowance for uncertainty. We want something to happen and therefore we are convinced that it will happen.

Hope and imagination can still live and breathe within both frameworks, but in my mind, wishful thinking is less helpful in achieving a creative solution to a problem because it assumes too much and ignores the strokes that fall outside the lines of the preconceived answer. I think that creative work can draw a great deal more sustenance from fuzzy logic: an experimental and open-minded approach that proposes IF-THEN scenarios based on a wide range of measurements and questions. a left-brained balance to a right-brain process, offering a sense of multiple possibilities and probabilities with some factual basis in variable data and seasoned with a healthy dose of uncertainty. 

But maybe that's just wishful thinking on my part...  :)

Why Ideas Are Not Like Easter Eggs...

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On this Easter Monday morning, I woke up thinking about the difference between ideas and Easter eggs. Although both can be surprising, delicious and beautiful, I think they have a few contrasting qualities:

  • a steady diet of ideas won't make you ill
  • you don't have to hunt for ideas; if you sit quietly, they will sometimes come to you
  • ideas don't only appear on a special occasion; they are available all year long 
  • although there is sometimes a "best before" date on ideas, they generally have a long shelf life
  • you can hatch an idea into something that will grow beyond your wildest dreams

One characteristic that ideas and Easter eggs do have in common is that they are better when collected and shared. Happy Easter, everyone!

Building / Growing

I had a dream about a quilt the other night (yes, quilts are on my mind 24 hours a day!) The pattern was simple and very attractive to me; but even in my dream, my brain was sifting and analyzing to figure it out, to define a deeper meaning, a logical reason why it should be this way and no other (sad but true...this is the way my brain works—problem-solving and pattern seeking even while I'm sleeping—no wonder I'm tired when I wake up!)

When I tumbled out of bed, I went straight to my computer and worked through some tangible responses to my initial vision (depicted above) to define the elements that had meaning for me, extracting the two interpretations shown below.

The arrangement of evenly spaced horizontal rectangles piled one upon the other, creates a solid brick wall. This image speaks to me of stability: warmth and shelter that will endure and withstand the storms and vagaries of time; it represents the things we understand very well and know how to make for ourselves.

But my original vision was in brighter, softer shades which spoke to me of nature, alive and growing... so I altered the shapes in this second version to be vertical, varied and verdant (how's that for alliteration?) This image is all about the mystery of life that sprouts without our help and renews itself despite our misguided or unintentional efforts to suppress it; it speaks of freshness, individuality, and the breeze of inspiration blowing through us.

In the end, I like all three designs... but what sense did my analytical mind make of my dream? It told me that all things are made of basic building blocks, but how we choose to arrange them in our imagination has the power to determine what we perceive. 

Dreaming in Technicolour

Do you ever wake up with an image imprinted on your brain? 

Do you feel an urgency about capturing those thoughts and images? And as your waking mind takes hold, do the images and thoughts start to fade and slip away, lose their bright and shiny lustre, sliding into muddy puddles of doubt? Do you question why they seemed so charming and insightful in the first place? 

Which is more real: the spark of the dream, or the dimming of the spark that comes with the dawn? I'd rather believe in the dream, but I often find myself limiting my actions and living within the duller and more mundane boundaries of "reality", losing some of my faith and excitement for the initial vision along the way.

Creative work does require a balance of graceful dreaming and gritty realism to come to fruition; we need to push and pull the boundaries of our perceptions, to capture those sparks (like the lightning harvesters in the movie "Stardust")... but we also to analyze and utilize the tools at hand (or invent new ones) to maintain or enhance the freshest and brightest aspects of the dream. We grind and polish the diamonds, refine the silver with fire and hammer the metal into shape. It's not magic, it's hard work... but when we do that work right, the work itself is invisible, and the focus remains entirely on the magic of the dream.

Hi ho, hi ho....

AWOL

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This is what I'm doing instead of blogging this morning: working on blocks for our most recent West Island Quilt guild project. It's going to be a beautiful quilt once everyone's blocks are assembled...but there just don't seem to be enough hours in the day to get everything done!

Thinking Deep Thoughts

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Life seems to be awfully busy: it's challenging to find the time to think deep thoughts. Our ADD culture makes it tempting to just adopt the easy, breezy quips that come our way, to read the abstract or the summary and pass over the deeper exploration. It's like skimming the Coles notes but never actually reading the literary masterpiece. We live and breathe and have our being in a Twitter and texting mindscape, rarely, if ever, making a silent space around us to foster deep thinking.

For me, thinking deep thoughts is like being in several worlds at once: submerged and floating through a fluid environment... or digging, exploring quietly in the dark, like archeologists or miners, unearthing treasures.

Are higher thoughts different than deep thoughts? They seem to be painted with a moral overtone, but I'm not convinced that they are fundamentally different. We build our churches with spires reaching to the sky, we look up beyond the clouds for inspiration and we sometimes describe the highest level of academics and abstract thinkers as living in an ivory tower, way above the rest of us. We picture our imaginations taking flight, giving us the ability to float above our earthly pressures and beyond our daily atmosphere of cloudy tunnel vision, obscured by the information smog that surrounds and engulfs us when we allow it.

But whether we describe them as deep thoughts or high thoughts, they need fertile space to thrive...so they can nourish us, replenish us, and inspire us to free our minds of clutter, filling them with treasure instead.

If only we could find the time...

 

Trickledown Theory

Champagne Glass Distribution from Dalton Conley (2008) You May Ask Yourself

Champagne Glass Distribution from Dalton Conley (2008) You May Ask Yourself

The balance of economic power between individuals and countries has shifted over time, but there have always been massive gaps between the richest of the rich and the poorest of the poor. Data visualizations such as the Champagne Glass Distribution (shown above) emphasize the rapidly diminishing curve between the full glass and the empty one. 

The seed for a quilt design based on this disparity has been tucked away in my mind for a long time. But to be honest, I have spent my designated blogging time this morning researching and learning rather than writing or sketching... and although this is the topic on the top of my mind this morning, I feel like my thoughts on the subject need a chance to air out and be pressed into some sort of presentable shape before I share them with you.

One fascinating resource I did discover this morning was a website called Gapminder. This website was created with the goal of "Fighting devastating ignorance with fact-based worldviews everyone can understand." It provides factual and visual representations of data about global economics, health, etc. as they shift over time using a software tool called Trendalyzer. Talks by one of the founders, Hans Rosling, are also available on TED and on the website; I plan to include them in my research process before revisiting this subject in a future post.

In the meantime, I hope these small seeds of interest and curiosity will start to sprout in more than one garden.

Milestones vs Millstones

There's a sign on the road halfway between Charlottetown and Mount Stewart in PEI that bears the description "Ten Mile House". Someone once told me that in the days of horse-drawn sleighs or carriages, folks would break their long journey at that point and refresh themselves (with food, drink, sleep?) before travelling on the rest of the way. In this age of motorized machines, as we travel from point a to point b and back again in barely a blink of the eye, the reason for the milestone seems less obvious... but still, there it is.

There are landmarks in our lives that we anticipate eagerly and others we face with dread, and would prefer to just drive on by without stopping. Which attitude we choose depends on a lot of factors, some of which are completely arbitrary and personal. Having a big birthday? Exciting when you're 18, maybe not so much when you turn 50... but pretty spectacular when you turn 80 or 100! Celebrating an important wedding or work anniversary? Is it a big deal because you're still so happy to see each other every day... or because you managed to stick it out so long?

Which brings me to my question of the day: what—other than the substitution of a consonant for a vowel—is the difference between a "milestone" and a "millstone"? 

In my view, a milestone is a landmark on a particular journey, possibly a journey that has already been made by others before us; we travel towards it, anticipate it, notice it and celebrate it as we move on past it. In most cases, it marks progress or completion of one step in a series, rather than rewarding a particular achievement (although the marathon runners or mountain climbers out there may disagree, and choose to see each marker on the way to the finish line or the summit with a different perspective.)

A millstone, on the other hand, is a heavy burden we hang around our own necks and drag along with us on ALL of our travels; we complain about it, or try to ignore it despite the weight it places on our shoulders. It can be constructed of fear, envy, anxiety, discouragement, regret; or sometimes, it is just a honking big chip on our shoulders. Frankly, I suggest we find a way to chisel it off, and either put it back to productive use elsewhere (eg. grinding grain to make our bread)... or just abandon it somewhere by the side of the road, as we make our merry way—with light hearts and lighter steps—towards the next signpost on our journey.

 

Turning the Corner

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Last summer, we painted the cottage...OK, we painted MOST of the cottage. It was a lot of hard work and definitely a team effort. My parents were in town for our family reunion (and their 50th wedding anniversary!) and did a lion's share of the work. My mom, in her early seventies, was a driving force and a shining example - as the one who was "least afraid of heights," she did most of the work from the top of the ladder, while I kept my feet firmly planted on the ground. There was something exhilarating about racing the weather to get one whole side completed... until we looked at the next side and realized just how much was still left to do!

We decided to just paint the front and the back of the cottage for the party, to present a welcoming facade as family and friends arrived, and to act as a backdrop for the group photos. We joked about handing each guest a dripping paintbrush as they arrived so they could drag it along the side wall as they made their way from parking in the back to the party down by the waterfront... but the partial paint job stayed that way most of the summer. It's funny how often projects get stuck at that point; the most visible parts get done quickly and with great fanfare and excitement, and the last bits sort of fade into oblivion, as enthusiasm or time run out.

But not in this case. One unseasonably warm day in the middle of autumn, I took a brush, a paint can and ladder and worked most of the day painting one of the side walls as high as I could reach. And now, as the snow continues to melt and we turn the corner from winter into spring, my fingers are starting to itch for the paintbrush, to get back at it and finish that one remaining wall. Wish me luck.

Salt and Pepper

A friend and I were discussing the results of the recent Quebec elections over coffee last night, and reflecting on the language policies that have come to define so much of our political identity. We shared thoughts about how the French language could continue to prosper and thrive in Quebec—and beyond—without the punitive approach of laws designed to diminish and even exclude the use of other languages within provincial boundaries.

Nobody reacts well to having something shoved down their throat; what if we could be invited to a feast instead of forced to sit at the table until we swallow down the same old dish? What if we were told how delicious this meal would be, instead of being told, "eat it because it's good for you... and because I said so"?

What if we had language ambassadors instead of language police, promoting the opportunities offered by learning French (much as our anglophone parents did for us, enrolling us in French immersion or even sending us to French schools - not because they HAD to, but because they realized that it was a good thing, that it would open doors for us). These ambassadors could share the romance and poetry of the French language as much as the practical benefits it offers.

Learning different languages is like using different spices for our food; imagine if salt was the only spice you were allowed to have on your table.

My family is anglophone, but with roots in Quebec going back to the 1700s. One of the treasured recipes passed down to me from my maternal grandmother is her tourtiere recipe. Tourtiere is a traditional French-Canadian dish. I love it, and I make it often, especially at Christmas. I give it to friends and family, and we all enjoy it tremendously. But none of us would want to survive on a diet of tourtiere alone; sometimes we want to eat spaghetti or couscous or samosas or even steak and kidney pie (not one of my favourites, but some people like it!)...and the more we are told that we can't have those things, the more we will want them and miss them.

So, instead of building Quebec as a prison with a forced diet of pea soup—I do actually like pea soup, in case you were wondering—or baguette and water, let's turn it into a five-star French restaurant where people line up at the door because of a varied menu packed with delicious choices. Que pensez-vous?

Snail's Trail

There are days when progress seems slow, when we seem to be going in circles. Sometimes we feel that what we are doing is not important, that it doesn't add value to the whole. I remind myself (often!) that most of the beautiful quilts ever created started out as small scraps, painstakingly assembled one piece at a time. It's a long, slow process and it can be challenging—and possibly unrealistic—to maintain a constant level of excitement and passion throughout. But when we judge ourselves for losing enthusiasm and allow ourselves to get discouraged partway through, it's hard to see how it will all work out. That's when we need to remember that it's OK to take a break, to take a breath, to change gears and focus on something else for a while... to give our vision a chance to refresh and renew us again before we get back to work 

Colour Blind

Designers and quilters rely on a certain level of colour sense: to describe personality, to reinforce a message, to create a sense of depth, to differentiate and emphasize certain areas and to give balance to their work. Some colours play well together to create a subtle calming influence, while others challenge each other and bring dynamic energy and artistic tension to our work.

We all have our own personal colour preferences; colours that soothe us, that excite us, that disturb us and make us uncomfortable. However, I often think of a line from one of my favourite movies:

Une couleur laide, ça n’existe pas.
— How to Make an American Quilt

There is no such thing as an ugly colour.

We could think about talents as colours; each one adds another level of interest to our lives. 

We could imagine the priorities we choose as colours; it's not feasible to devote all of our energies to work, or to maintain "code red" at all times, but there is a time and place when that energy is required.

If we visualize cultures or religious beliefs as a range of colours, we realize how dull our global image would be if it could only be drawn from a monochromatic palette.

Don't get me wrong: we all know that there are beautiful photos, fantastic paintings, quilts and other works of art that have been created or designed using a single colour. But what if our choice was entirely limited to that one colour for the rest of eternity and we were unable to distinguish any other possibility? Our lives certainly would not be as rich as they are now or could be in future.

The colours available to us are infinite...part of our job is to learn how to see them and to appreciate them so we can use them to paint our lives in bold and colourful strokes.

What Are You Waiting For?

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  • My ship to come in
  • An engraved invitation
  • Hell to freeze over
  • Validation/vindication
  • Forgiveness
  • Understanding
  • Godot
  • A blue moon
  • Christmas
  • Springtime
  • The bus
  • Recognition
  • A window of opportunity
  • Lightning to strike
  • For the work to do itself
  • A revelation from on high
  • Inspiration
  • Time to stand still
  • The stars to align in the heavens
  • Release
  • A sign
  • Results
  • Approval
  • Dessert
  • The bell
  • The other shoe to drop
  • Pigs to sprout wings and fly
  • The storm to pass
  • The end of the line
  • The green light
  • The credits to roll
  • The fat lady to sing
  • The door to open
  • The axe to fall
  • The dust to settle
  • My turn
  • My chance to shine
  • The phone to ring
  • The smoke/air to clear
  • The grass to grow under my feet
  • To see which way the cat jumps
  • To see which way the wind blows
  • For a raindrop in a drought
  • To exhale
  • The cows to come home
  • The weekend

Snowed Under

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This winter seems to be passing in slow motion.

This sense of extended time was amplified when I saw the Cloud Gate dance company perform The Wanderers as part of the Danse Danse program at Place des Arts last week. The continous showers of golden rice pouring down over a still figure—and the gracefully controlled performance of the dancers—created an atmosphere where time slowed down, but our sense of time also expanded... almost to a point of timelessness.

Unexpected, drifting, falling... we seem to have very little control over what drops into our lives from day to day.

Seasons shift and change their shape, becoming other than what we expect of them... showing up early or late, dressed in clothes we didn't expect and don't remember seeing before...